Out of the Closet and into the Movies

The past ten days I've been busy going to screenings and parties at Outfest, where Butch Jamie made its premiere last year. Since the festival is in L.A., Outfest is really the best GLBT festival in terms of networking - you get to meet film distributors, network executives, producers, other filmmakers, actors, crew, etc. And every night of the week there's a party!


Here are some pics of the colorful spreads from opening night (I feel like those ladies who take photos of the dining room table at the holidays. I guess when you get older some things start to make sense).




Since I didn't have a film in the festival this year, I've been promoting Butch Jamie's DVD release, which is scheduled for November 4th. I also met up with Wolfe Video to do a photo shoot for the cover art. The other actors, including Howard the cat, will all have separate photo shoots since they're in Upstate New York and we'll Photoshop them in depending on how it all looks. Howard is already becoming the star - what I wore, (it couldn't be black because he is black), what my arms were doing, what my face was doing, how I sat (can you slouch down a little so we'll be able to see the cat?) all revolved around him. It reminded me of how Jamie might feel when she shoots her next movie with Howard in Heterosexual Jill.

I also went to see several movies this year, including the much anticipated adaptation of Sarah Waters' Affinity. The two other movies based on her novels, Tipping the Velvet and Fingersmith, were so much better that I was disappointed with this one. The movie isn't bad, but it's not great either.


My favorite this year was the newly restored Word is Out, a late 1970s documentary about gays and lesbians that'll be making its way to DVD soon. Despite the fact that the documentary is 95% sit-down interview and was more than two hours long, I wasn't bored at all (which is saying a lot, considering my attention span and long movies). In addition to the great 1970s kitch value, the humor and honesty of everyone's stories in a time when the closet was a much more populated place made it really fascinating to watch.


It was also interesting for me to learn that the film was considered funny when it came out 30 years ago - I thought a lot of the humor came with time (and some of it did - the music, outfits, interior design, chain smoking, mid-day drinking, and the P.O. Box listed at the end of the movie to mail in audience members' comments were all amusing reminders of the past), but it turns out that most of it was timeless. Even then, when positive portrayals of gays and lesbians on-screen were rare, it seems that we had the ability to laugh at ourselves.